Making Sense of Cinema
portes grátis
Making Sense of Cinema
Empirical Studies into Film Spectators and Spectatorship
Reinhard, CarrieLynn D. (Dominican University, USA); Olson, Christopher J. (University of Wisconsin - Milwaukee, USA)
Bloomsbury Publishing Plc
08/2017
288
Mole
Inglês
9781501320217
15 a 20 dias
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List of Figures List of Tables List of Contributors Acknowledgments Chapter 1: Introduction: Empirical approaches to film spectators and spectatorship -CarrieLynn D. Reinhard and Christopher J. Olson Chapter 2: Spectatorship in public space: The moving image in public art -Annie Dell'Aria Chapter 3: The festival collective: Cult audience and Japanese Extreme Cinema -Jessica Hughes Chapter 4: Transnational investments: Aging in Les Invisibles (Sebastien Lifshitz, 2013) and its reception -Darren Waldron Chapter 5: Preferred readings and dissociative appropriations: Group discussions following and challenging the tradition of cultural studies -Alexander Geimer Chapter 6: "Legolas, he's cool ... and he's hot!": The meanings and implications of audiences' favorite characters -Martin Barker Chapter 7: In search of the child spectator in the late silent era -Amanda C. Fleming Chapter 8: Seeing, sensing sound: Eye tracking soundscapes in Saving Private Ryan and Monsters, Inc. -Andrea Rassell, Sean Redmond, Jenny Robinson, Jane Stadler, Darrin Verhagen, and Sarah Pink Chapter 9: Seeing animated worlds: Eye tracking and the spectator's experience of narrative -Craig Batty, Adrian Dyer, Claire Perkins, and Jodi Sita Chapter 10: Focalization, attachment, and film viewers' responses to film characters: Experimental design with qualitative data collection -Katalin Balint and Andras Balint Kovacs Chapter 11: Making sense of the American superhero film: Experiences of entanglement and detachment -CarrieLynn D. Reinhard Chapter 12: Indexing the events of an art film by audiences with different viewing backgrounds -Sermin Ildirar Chapter 13: Exploring the role of narrative contextualization in film interpretation: Issues and challenges for eye tracking methodology -Thorsten Kluss, John Bateman, Heinz-Peter Preusser and Kerstin Schill Chapter 14: Conclusion: A methodological toolbox for film reception studies -Christopher J. Olson
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List of Figures List of Tables List of Contributors Acknowledgments Chapter 1: Introduction: Empirical approaches to film spectators and spectatorship -CarrieLynn D. Reinhard and Christopher J. Olson Chapter 2: Spectatorship in public space: The moving image in public art -Annie Dell'Aria Chapter 3: The festival collective: Cult audience and Japanese Extreme Cinema -Jessica Hughes Chapter 4: Transnational investments: Aging in Les Invisibles (Sebastien Lifshitz, 2013) and its reception -Darren Waldron Chapter 5: Preferred readings and dissociative appropriations: Group discussions following and challenging the tradition of cultural studies -Alexander Geimer Chapter 6: "Legolas, he's cool ... and he's hot!": The meanings and implications of audiences' favorite characters -Martin Barker Chapter 7: In search of the child spectator in the late silent era -Amanda C. Fleming Chapter 8: Seeing, sensing sound: Eye tracking soundscapes in Saving Private Ryan and Monsters, Inc. -Andrea Rassell, Sean Redmond, Jenny Robinson, Jane Stadler, Darrin Verhagen, and Sarah Pink Chapter 9: Seeing animated worlds: Eye tracking and the spectator's experience of narrative -Craig Batty, Adrian Dyer, Claire Perkins, and Jodi Sita Chapter 10: Focalization, attachment, and film viewers' responses to film characters: Experimental design with qualitative data collection -Katalin Balint and Andras Balint Kovacs Chapter 11: Making sense of the American superhero film: Experiences of entanglement and detachment -CarrieLynn D. Reinhard Chapter 12: Indexing the events of an art film by audiences with different viewing backgrounds -Sermin Ildirar Chapter 13: Exploring the role of narrative contextualization in film interpretation: Issues and challenges for eye tracking methodology -Thorsten Kluss, John Bateman, Heinz-Peter Preusser and Kerstin Schill Chapter 14: Conclusion: A methodological toolbox for film reception studies -Christopher J. Olson
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
